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Kol Nidrei
Info
Notes available at: https://www.rundel.de/en/
Solo für Violoncello und Blasorchester (Solo Euphonium opt.)
Although Bruch’s oeuvre is extensive and significant, modern listeners are nowadays really only familiar with his Violin Concerto No.1, which belongs to the standard repertoire of all violinists. The overwhelming success of this work led a number of prominent cellists to make repeated demands for a cello concerto as well.
It was the impassioned cello playing of Bruch’s friend Robert Hausmann which finally inspired him to write his “Kol Nidrei” for Cello and Orchestra in 1880. Bruch himself wrote about this work: “This piece is a small counterpart to my “Scottish Fantasy” because, as in that work, a given melodic source is extended in an artistic manner.”
The work is based on two Hebrew melodies which lend it an elegiac and hymn-like character. In the first section Bruch makes use of an old song of atonement sung at the beginning of the most important Jewish feast, Yom Kippur. As a second theme he uses the English-Jewish song “Oh Weep For Those that Wept on Babel’s Stream”, which he presumably learned in the Jewish community during his time in Liverpool. Bruch wrote “Kol Nidrei” in five arrangements for different ensembles, a fact which demonstrates the unusual popularity of the piece.
The warm, dark sound of the cello reflects the extremely solemn, sorrowful and jubilant songs of the synagogue wonderfully. It shows the pathos and the humility in the prayers of the Jewish community.
In the arrangement for cello (opt. euphonium) and wind ensemble by Siegmund Goldhammer this work represents a magnificent addition to symphonic wind literature.
Grade Level GB: 8+ Grade Level USA: 6 (Professional) Composer: Bruch, Max Arranger: Goldhammer, Siegmund Genre: Classic, Classical Transcription, Solo, Solo for Cello Performance time: 00:11:32 Publisher: Rundel Size: A4 Info: Full Score + Parts Rundel Order Number: MVSR2517 Release Date: 2024
Although Bruch’s oeuvre is extensive and significant, modern listeners are nowadays really only familiar with his Violin Concerto No.1, which belongs to the standard repertoire of all violinists. The...
German composer and conductor Max Bruch was born on January 6, 1838 in Cologne. His father was a royal commissioner of police and deputy chief constable, his mother was a soprano. Max showed early on that he had a great talent for painting, but this soon faded into the background in favor of music. At the age of 9, Bruch wrote his first composition, a song for his mother's birthday. His parents...
Siegmund Goldhammer was born on 8 March 1932, in Bielen near Nordhausen, Thuringia, East Germany. At the age of eight, he learned the accordion. Later he received piano lessons and taught himself to play the trumpet.
After the war he took up an apprenticeship as a carpenter and then studied trumpet, contrabass and piano at the Technical College of Music in Weimar from 1949 to 1952. He then...