The Sword and the Crown - ST020 | Partitions

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Orchestre d'Harmonie

The Sword and the Crown

The Sword and the Crown

Orchestre d'Harmonie

The Sword and the Crown

Compositeur

Occasion

Durée
00:14:29

Difficulté
Höchststufe

Maison d'édition
Studio Music

Format
A4

Info
Partition + Parties

Numéro d'édition
ST020

Date de publication
1993

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In 1988, Edward Gregson was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, he wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy. When the Royal Air Force Music Services commissioned Edward Gregson to write a work especially for their British tour in 1991 he immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band. The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed). The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion. The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the ‘war machine’ and savagery of battle. Trumpet fanfares and horn calls herald a heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV’s defeat of the rebellious forces.

Mots clés

Night of the Proms

Angleterre

Grande-Bretagne

Guerre

Moyen Âge

Roi / Reine

royal

Union Jack

William Shakespeare

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